Saturday, November 17, 2007

Media

Have you ever wondered what you would find, if 24x7 news channels were shut down? Or the over flowing print journals, newspapers were all reduced to just one? NEWS!

If this sounds too cynical, open your today’s newspaper and start counting facts. Have a look at the ads and then look at the headlines. Observe how Cricket, Salman Rushdie with new arm candy, sensex and even new sex surveys find their way to the main pages with alarming regularity.

The question that comes to mind is – Who decides what we need to know? Is media dictating our culture or is our culture dictating the media?

Does it function as a medium to voice the concerns of the common man? Does the common man matter even in the most accommodative system of democracy? Let’s look at Noam Chomsky’s definition of democracy - An alternative conception of democracy is that the public must be barred from managing of their own affairs and the means of information must be kept narrowly and rigidly controlled. That may sound like an odd conception of democracy, but it's important to understand that it is the prevailing conception...

In Chomsky’s book “Manufacturing consent” he talks about the art of democracy as a means of to bring about an agreement in the masses using propaganda as a tool.

To give you an example, Hindustan Times headline reads “India beats China in battle of billionaires” This gives the masses the idea that, with India’s booming economy and growing global stature, sky is the limit with the billionaires as a token of its prosperity. That is indeed a very narrow perspective of growth isn’t it?

The other headline in HT reads “India wrap up series, but Sachin jinx continues” First, this assumes that the masses watch cricket, almost compelling them to keep a track of it.

And the headline, in just one sentence elevates Sachin’s loss to the same platter as India’s win, giving the form of both sufficient headline spaces.

Let’s look at DNA, one headline reads “Tallest building in India to come up in Dadar” How many people will benefit from this headline? Certainly the dying Vidarbha farmers or the slum dwellers a few feet away I suppose. This brilliantly orchestrates how commercialization of news has made a comfortable place in media. The rich, privileged class is thus the ‘specialized class’ that calls the shots. They may not be a majority but they take all decisions – economic, political and ideological for the masses. Walter Lippman calls these masses as a bewildered herd which needs to be controlled or they can turn dangerous.

This may seem too ominous to digest. After all, we would all like to believe that life is a big Page 3 party with the press as mild intruders with a miniscule role. We could as well avoid the larger scheme, the distortion of fact and history to live peacefully.

Broadcast media is in a league of its own. And with 24 hours news channels, it is evident that the lines between news and propaganda are blurring. “Breaking news” is the most striking (laughable even) feature of these news channels.

There is alternative media also available on the periphery but it’s hardly accessible. If you ask me, news has fallen into a commercial trap. It’s become one homogenous mass which shows no sign of pushing its own set boundaries. But again, can we change that? Do we have any power to change that if we don’t belong to the privileged class? Is our role in society redundant?

These are questions, so many of them which realistically hold no value except creating awareness. I wonder if I got my point across. I would really appreciate to get a more holistic perspective as well.


- Janvi Gandhi
janvi.87@gmail.com


Subconscious

Sleep, oh sweet sleep
Envelopes me, like a blanket
Stubs out the halo around,
Illuminates the mystic.


Transported to another mass,
My movement is featherlike,
Inhabited by my stung past,
Wonder why it surrounds me so.


Expertly, this world laces itself,
Blending different people,
Tearing into my fears
And placing me in improbabilities.


Jerkily, it draws me out
Like a tree reminded of its roots,
Forced to return to the ruins,
Why does it humour me, my subconscious?



- Janvi Gandhi
janvi.87@gmail.com

I Write

For the few cherished dreams,
For the elegant smiles I've seen.
For the lost glory, I write;
to tell my story, I write.

At times to get back the same,
and to relive some moments again;
to embellish my thoughts, I write.
to beat the odds, I write.

For the melodious music,
and for the life that's plastic,
I write for the harmony of the rain,
I write for the truth in my pain.

To kill the fear of the sorrow I bear,
To shut all the lights, with nobody around to share;
I write when the old breeze visits me,
I write when the dreadful thoughts haunt me

For the increasing darkness,
For happiness that's evanesced,
For the dimming hope, I write;
in the nothingness of life , I write day and night.



- Mihir Chitre
mihirmumbaikar@gmail.com

Simple Reflections

Remember not I that when was it last
That I let myself lose, drift into my past

That I lost my sanity to behave insane
Went out for a stroll or bathed in the rain

Or to celebrate my day I took out some while
When was it last that I had an effortless smile?

Time I have not to pamper my soul
Accomplish I something only to set another goal

Deaf have I become to hear my heart weep
Have no moments to cherish or memories to keep

Dead with emotions I am alive
I wanna live and not just survive

Where am I going, from where did I start?
Mindlessly going on, just dragging my cart



- Priyanka Rathi
prynkrth@yahoo.co.in

Indian Politics and its Pseudo Dynamism

When the British parliamentary system was launched in India, everyone thought that alike the former rulers we might have the sophisticated ‘House of commons’ and ‘House of lords’. But since India is famous for its great elephant walk i.e. doing every thing in its own style. We not only had loud-chirpy rajya sabhas and lokh sabhas but also had the political saga written in its own Rajneetik style.

India is said to be diverse in every aspect; be it its dignified foreign policies or our very own cultures and religions. A unique example of this historical diversity is the revolutionary freedom fight in which some preferred literally attacking the antagonists of the story, whereas others were led by non-violence. With such historical and geographical diversity, India had to be strategically and politically diverse as well.

The Indian politics, characterized by ‘democracy’, generated its own political concepts moving away from the usual diplomatic science. If the western have the Democrats and the Republican, India has its very own SANHGHS and PARIWARS, who not only influence the central government planning but also go on to write history in the form of riots.

In the post - independence era, the Regional parties have sowed more seeds of discriminations than what racism and caste system could ever do in the pre -independence period. Regional parties in the form of the Senas and Janta parties are kind of underworld dons in their own constituencies. Their major contribution to the great ‘tamasha’ has been the induction of the ‘Bandhs’. Bandhs, ironically, are enjoyed by many as they are like some ‘unofficial surprise holidays’ as the supreme court has declared them illegal.

The new trend, which has hit the Indian political scene, is the ‘Coalitions Governments’. Last time these parties agreed on something was while forming the majority. The seemingly eternal fight between the ruling parties and the Lefts reminds us of the famous conflict between Mahatma Gandhi and Dr. B R Ambedkar.

From poets to Cambridge returns, corporate workers to criminals, filmstars to sportsmen and doctorates to school drop outs; India has had its leaders coming from every section of it. Unfortunately, only a few managed to make a difference. And of course not forgetting the important ‘C’ in politics lately, ‘corruption to politics’ is like ‘terrorism to humanity’ – Simply destructing.

A long ago, when our politics was spotted at its vulpine best; we had the epic, ‘Mahabharata’ written. ‘Shakuni’ and ‘Krishna’ both played tricks to make things work their way; though we know that there was only one ‘God’.

We may be 20000+ in Sensex or having jumping GDPs every year or our smart brains may be all set to dominate the worldwide software industry; but in governance, we still need another tryst with Destiny.



- Mamta Pandya
mamtapandya007@gmail.com

No Shanti, No!

Those of us, who love extravagant star casts, lavish sets and of course, Shahrukh Khan, will have a lot to look for in this latest Farah Khan flick, ‘Om Shanti Om’; though if at all you are one of those rare Indian movie goers, who try to grab some sense from the movies they watch, OSO will turn you down as much as any other usual bollywood movie ever has, with its supremely boring screenplay, juvenile ideas and to say the least, a ‘not good enough’ director.

After ‘Main Hoon Na’, it would have been stupid of me to expect anything that can even be called, ‘not bad’ from Mrs. Farah Khan (or Mrs. Shirish Kunder or whoever) and OSO maintains the class (third class) of Main Hoon Na quite efficiently. Nonetheless, ‘Main Hoon Na’ was a big hit at the box office and I, believe, so will be Om Shanti Om.

Coming to the movie, there is not much worth revealing about the plot; since it’s just another Farah Khan – Karan Johar – Aditya Chopra kind of a movie. It all starts with a very childish and insipid spoof of the 70’s Bollywood. Om Prakash (Shahrukh Khan), an aspiring star, is a junior artist who has dreams of making it big one day. He roams around with his friend, (I don’t remember the name of his character) Shreyas Talpade on the sets of various films and on various different roads, checking out posters of his dream girl Shantipriya (Deepika Padukone). Shantipriya is an established actress and the lover boy in Om Prakash finally gets a chance to have a glimpse of the stunning lady at the time of the premier of one of her films. The plot goes on like a typical bollywood story and many usual things as Om Prakash’s and Shantipriya’s death occur because of the antagonist of the film, Mukesh Hrishi (Arjun Rampal). The age - old idea of reincarnation is once again repeated in this movie and it’s as boring as it has become, lately. It seems that the director has desperately tried to implant humour in this ‘boring as Himesh’ (it’s a new phrase in Indian English) screenplay; and except for a few scenes that manage to get a grin on our face, she has failed miserably as the script turns out to be placid rather than amusing.

You, actually, have to sit and think to figure out what is appreciable in this movie. ‘Shahrukh Khan’ is the only answer that you may possibly get. He is charming as ever and his flamboyant screen presence is unavoidable once again. Deepika Padukone looked good as an actress but she still has a lot of scope to improve, nonetheless ‘gorgeous’ would be the right word to describe her. She comes across as a stunning, perfectly in-shape young lady who can make any young boy go crazy for her. Arjun Rampal has acted well; though without much of a scope. Shreyas Talpade, a fine actor who has proved himself in movies like ‘Iqbaal’ and ‘Dorr’, too, doesn’t really have a scope to act in this movie and same is the case with Kiron Kher. The script and screenplay are such that they just don’t allow any sort of creativity or talent to flow through.

The music is not great but most of the songs are hummable. ‘Ajab Si’ is the best song in the movie to me. Even after considering all the good things about the movie that I managed to figure out; I conclude that unfortunately those things are not good enough for the film to impress me. The film is neither entertaining nor intellectually appealing.

Despite of saying all this, I’m sure that OSO will be a big hit at the box office, largely because of the existence of a huge crowd puller called Shahrukh Khan and also because of our age old love for childish humour, repetitive ideas and the mere presence of numerous film stars, dancing their way to stupidity. It’s probably not always correct to blame the makers for making such a film. They will, obviously, make what sells. I, on the other hand, feel that it’ high time we changed our expectations from a film. We should rather look for something that appeals to our brains or something that’s truly creative or artistic than expecting larger than life characters, completely unrealistic screenplays, banal ideas or a hero that jumps from the 10th floor of a building on a horse and rides away in style, without damaging either of the two - the horse and his own urinary system.

- Mihir Chitre
mihirmumbaikar@gmail.com

Optimum

You can write in this much light;

It'll suffice to see your thoughts.

Don't throw open the windows;

The sun might blind you.

And don't shut them all either;

Your words may veer off the line.

A slit is what you need.

And you can write in that much light.



I write too. And well at night.

With just enough light for me to write.






- Siddhesh Inamdar

siddhesh.inamdar@gmail.com

Saturday, November 3, 2007

Nostalgia - An Objective Overview

‘Nostalgia’! The term sounds catchy as you hear it, nonetheless becomes intricate as you think over it. The word, ‘nostalgia’, may have a fixed definition in the dictionary but, I believe, everyone defines it in their own way in practicality.

I assume that everyone has got some kind of a picture of nostalgia drawn in their minds. Everyone gets nostalgic though the frequency varies person to person. I have always been fascinated by this unique tool called nostalgia that can be used for interacting with one’s past. I believe, I share a sacred bond with my past. Whether or not a 19 year old boy would see enough life to get nostalgic about it, is a matter of perceptions. I, for one, rather proudly, believe that I have lived many ravishing moments that can be recollected and moments that I can feel ecstatic about whenever I feel like; though on the other hand I, rather sadly, know that they cannot be relived.

‘Nostalgia’ is one of the most ironical experiences ever. It allows you to tour the past, it allows you to journey across time, it allows you to get a feel of all the beautiful things that were ever there and things that you miss from the bottom of your heart but at the very next moment it teases you cruelly that however strongly may you wish, you wouldn’t be able to re-actualize those things. It makes you realize that you have left them far behind. It, insensitively, tells you that something that was lived as the ‘Beautiful Present’ once, can now, at the most, be cherished as a ‘Precious Memory’. This change may be rather painful to bear for those who have lost things in abundance in the course of time; then be it emotions or people.

The definition and scope of nostalgia are ideas that are so convoluted that one may go on thinking over them forever (and I, certainly, cannot afford to do so since I have to publish this on 4th of November). Hence, switching to my next point quickly (??), opining on whether or not nostalgia is a good thing would be very perceptive of me. Though I, generally, prefer it that way, this question seems rather difficult to be answered. I would like to quote an unknown (to me) genius here, “Men, who think about the past and worry about the future, land nowhere.” Well, why women and eunuchs are condoned here, is a point, I wouldn’t like to get into. The point that I would like to make is that in the quest of being ‘correct’ in life, philosophically speaking, ‘nostalgia’ is better kept away from. It, by no means, helps you in being ‘successful’ or philosophically right or, for that matter, wise. On the other hand, it harms such intentions by drifting you towards the emotional side. “Wise are those who listen to their brains” but, objectively speaking, if, at all, you feel that the significance of the emotional aspect is immense in existing as a ‘true human’ or if you are an ardent believer of such other ‘sentiment - prone’ ideas; you might just find ‘nostalgia’, a great resort that will allow your emotions to access and fly, freely, across the unforgettable times of your life that are exclusively treasured by and for you, and unlike most of the other things, for a limitless amount of time.

- - - Mihir Chitre
mihirmumbaikar@gmail.com

m



My Little Princess

Today is Anchal’s birthday. My daughter is 21 years old.

Anchal, when she entered our lives, changed us in more ways than one. I, for one, quit my job. Not that I wanted to do it in any case. It was just the boredom of my lonesome days at home that had driven me to work for a small firm. I was hence glad to exchange a job that paid me well for a much more satisfying one – that of bringing up my daughter, of turning her into the wonderful lady that she is.

Anchal was only 4 when we took that trip to Lonavala. Unlike other kids, who become irritable on seeing a new place and new people around them, Anchal was exceptionally cheerful. Lonavala is a beautiful place as it is and we visited it in the rainy season when it looks all the more beautiful. A thing of beauty is a joy forever, John Keats once said that. But not when it reminds you of something that almost left you shattered. That one trip to Lonavala has many memories attached to it. Memories etched into our lives. Memories that make me so proud of my little princess. Memories that haven’t left me for 16 years now.

One day we went to the Sunset Point there. The sun was of course no different from what it is in Mumbai. It’s amusing why people go to different locations to see the sun. The sun, in fact, has never amazed me much. My favourite is the moon. The moon, I feel, is much more beautiful and serene. It is not harsh. And people don’t fall unconscious when the moon shines bright on them. That day the sun chose Anchal to be the victim of its harshness. She suffered from a stroke, or at least that was what we thought.

It was the beginning of a new phase in Avinash’s and my life. For the next one year, we were going to be frequenting hospitals every week. Now, after so many years, when I think of those days, I feel we had all been very brave about the entire situation - Avinash, Anchal and I. I can never remember a single day in the course of her treatment when she had cribbed about going to the doctor. Maybe she was too young to understand anything. But then she was too young even to go through what she was going through. Somebody up there had grossly gone wrong in his calculations. Somebody should have told him that at four years, Anchal couldn’t even pronounce the name of the ailment that she was suffering from.

It was on one such visit to the doctor’s that one of the soft toys kept in the clinic fascinated Anchal. The entire day she remained glum. No amount of stories proved effective in putting her to sleep that night. I kept avoiding any kind of a conversation. I feared her asking some random question. Had she asked me ‘Mom, why do we go to doctor uncle everyday?’ or maybe a more tricky question, ‘Mom, when will we stop going to doctor uncle’, I could have never told her the truth. Finally I did muster the courage to speak to my daughter and asked her ‘What’s wrong, sweetheart?’ Here I was, a full-grown adult, asking my four-year-old kid what was wrong with her when I exactly knew what was wrong! That must have been one moment when I hated myself the most for putting on such a farce. We adults have to put on such a farce quite often in front of our kids so that we can continue to remain the ‘adults’ amongst the two. “Mom, I liked the teddy bear in doctor uncle’s clinic.” I thanked God in that one moment of silence for not putting me through any kind of a confrontation. But he of course had other plans. “Why didn’t you say that earlier, sweetheart?” I wouldve got it for you. We’ll get it first thing tomorrow morning. You can play with it all day then!’ “But ma, who will play with the teddy once I am gone?” Till date, I feel sorry for bursting out in front of Anchal that day. I just couldn’t contain myself and ran into my room. Anchal, even when she was a kid, was sensitive enough to let me be on my own. That entire night I kept weeping. Never had this thought struck me as hard as it did then. I was relating to the teddy bear Anchal just talked about. What would I do once Anchal was gone? Her life and her struggle with death were giving me a purpose to live. I couldn’t let her go so easily. That same night I decided I wouldn’t let anything happen to my daughter. She would live. I would save her. No matter what those doctors with all the degrees in the world said. She would live to see this world.

Around this time, I was reading a book called ‘The Alchemist’ by Paulo Coelho. Id got into the habit of reading when I had to wait in those long queues outside the doctor’s clinic. At times with Anchal, some times without her. Reading had become a refuge. And this particular book had become my bible. Paulo said, ‘If you want a thing very badly then the entire universe conspires to help you achieve it.’ This was something they never taught me at school. I started believing in this line because I wanted to. It gave me strength. I fantasized writing to Paulo one day about this incident, thanking him for helping me save my daughter. I even wrote a letter to him a few years back but Avinash refused to post it. Around the same time, Avinash’s behaviour started becoming weird. He was scared of our daughter’s untimely death and also at the same time scared about my conviction of saving her. I know he still doesn’t believe me when I say I always knew she was going to survive. I know he doesn’t believe me because he gives me the ‘I-don’t understand-you-but-I-feel-sorry-for-you’ looks. Men can’t understand the bond that a mother shares with her daughter. I had borne her in my womb. Of course I would know much better. I knew she was going to live.

The visits to the doctor became more frequent a few months later. I could see Anchal had become a little weak. She would still try to be cheerful but the disease had finally taken a toll on her. It took a lot of effort on her part to even smile. She had guessed that something terrible was going to happen. But she was putting on a brave face. Maybe she didn’t want to see me burst out crying like the other night. I felt terrible guilt pangs on such occasions.

On the 21st November that year, we took her to the doctor for one last time. She had been admitted for more than 24 hours when the doctor let me go into the room to see her. She was sleeping peacefully though – her face calm as ever. But I knew she was dying nonetheless. I wanted to do something – something to save her. As a last resort, I started praying to God and fighting with Him. He had been unfair to my daughter and me. He couldn’t do this to us. I told him I wouldn’t let him play with my life. I was angry with him. I was angry at the entire world. Why wasn’t the universe conspiring to help me? After all, I so badly wanted Anchal to live. Was Paulo, my hero in times of need, lying? Did he make up those lines? I was angry with him too. I was angry with myself. How could I let all this happen? Anchal had to live. She had to live for me.

There are some incidents in your life you always remember and there are others which are completely erased from your mind. This generally happens when you are too shocked and nothing registers. Just as the negative of a film roll goes blank if you expose it to sunlight. I experienced it for the first time that day. Somehow, no matter how hard I have tried, I don’t remember what happened in the hospital that day.

I woke up one morning 2 days later. Anchal was at my bedside nursing me. She was looking like an angel. She was thanking me for taking care of her all along. She told me how her operation was successful. She told me how happy she was. That day onwards, Anchal and I have shared a special relation. We have always been together. The world has never seemed to acknowledge our relationship though. Even Avinash has never acknowledged Anchal’s presence. He has become even weirder. He remains sad most of the time. He keeps saying weird things like, ‘For God’s sake, get over her! She is no more.’ Why can’t he be happy like Anchal and I? Why can’t he see that my little princess never went away? She has grown into a beautiful lady. And today, of course, is her 21st birthday.

- Divya Shetty

divya_infinity@yahoo.com

Bookless In Churchgate

Narayan Amin was one of the first to set shop on Veer Nariman Road just off Churchgate station forty years ago with a delectable assortment of books spread out before him. The idea was to get books from old paper marts and wholesalers so that they could be made available at cheap rates in a central location. Soon, both sides of V.N. Road were lined with tall walls of old books running all the way down to Flora Fountain, and trading of books on the streets of Churchgate had become a culture in itself. Students of medicine were coming from places outside Bombay to find books gone out of print, the occasional reader was picking up thrillers, while literature students were bagging classics by the dozen. Even the oldest book published in India in the Heras library at St. Xavier’s College was found here.

There was just one little problem: that most of these booksellers held no licenses – because doesn’t it logically follow that there ought to be booksellers near educational institutions if there always are flower-sellers outside temples? In 2004, Section 340 of the BMC Act declared V.N. Road as a no-hawking zone, the books were driven away in vans, and the booksellers stood evicted. These were the same booksellers whom the ‘Demolition Man’, Khairnar, had once wished to leave untouched because of the noble work they were doing. Bharat Amin, the graduate son of Narayan Amin, formed the ‘Mumbai Booksellers’ Welfare Association’, and, with help largely from the media and college students tried to further the cause of the booksellers. However till date the proposal to allow the booksellers to shift to the University road is waiting in the wings. There are only 27 of them now, pushed to a small part of the pavement to the north of Flora Fountain.

Despite having taken a beating, the diminished legacy continues somehow, perhaps with the help of the guards of the American Bank who take care of the books at night. One still finds the students of medicine and literature and the occasional reader trotting along these stalls. There are chairs especially kept for senior citizens. Yet the difference between then and now is easy to tell: The great walls that greeted you as soon as you stepped out of Churchgate station are all gone. What indeed is difficult to tell is whose loss it’s been – the sellers’ or the society’s.

(First published on August 14, 2007 in The Raga, the official Malhar newspaper at St. Xavier’s College, Mumbai.)


-Siddhesh Inamdar
siddhesh.inamdar@gmail.com

Discrete Illusions of a Destroyed Mind

The night was serene, cold and as mind staggering as it gets. On that full moon day, twinkling stars had little scope to get noticed as the moon had completely stolen the show. The atmosphere on Juhu beach was a feast for writers, poets and all sorts of artists as it was an epitome of beauty. Though nature was at its beautiful most, all the so-called connoisseurs seemed imperturbably asleep at home as hardly anyone was there on the beach to accompany the man, who was walking alone on the sand, at that aberrant time.

Wearing a torn shirt that looked unwashed for days and a pair of jeans that was in no better condition, he shivered often during his erratic walk as the temperature reached its record lowest in the city around that time. He had a bottle of cheap, country liquor in his right hand, which was ‘revitalizing’ him after regular intervals. The man seemed impervious to the cold and even remained unaffected by the crescendo of night. For a sophisticated man, he looked no better than a drunken beggar. For an erudite psychiatrist, he was a clear case of severe depression and for the society, he was an adverse factor that every civilized family would like to keep away from. ‘But who was he?’ This question seemed insignificant as there was hardly anyone around to even bother to take a note of him.

The man suddenly stopped and sat down at a place, facing the sea. He took out a broken wrist watch from his pocket and glanced at it ambiguously as he was out of his senses. After a few glares, he could successfully see and then understand the time. It was 2.30 am – not a surprising time for him. Along with the watch, fell down a letter. He picked it up and stared at it anxiously. The scene in front of his eyes changed rather dramatically. He was teleported to a different world. He saw himself, proudly walking down to receive the best domestic batsman of the year award, in the foreground of a big round of applause. His tired, hopeless eyes, for a whit of a moment, spoke the language of pride and glory. The next moment took him to his 21st birthday treat, which was thrown in a place as lavish as J.W. Marriot with his first few earnings. As he rushed through some more moments; he found them magical. He felt the warmth of his mom’s touch; he pictured his dad, proudly speaking about his son, among his friends. He smiled as memories were unfolded in real time. That was his first smile of the day.

The next moment did not move him in space; it just shifted him back in time. He spotted himself with someone he felt was the most beautiful girl on the planet. He and that girl were walking together on Juhu beach in the twilight, holding each others’ hands. The man was his happiest ever to recollect that. He unfolded the letter that fomented his journey back in time. It read –

“Dear Raj,

Be it cover drive, straight drive, square cut or some other ones that can’t be mentioned in a decent letter, I simply love all of your shots.

-yours forever,

Avantika”

As words of that ingeniously witty letter were uncovered, a smile (that was a hearty laugh once) had no option but to surface on a face that it had quarantined way back.

The man kept on smiling along with a couple of tears. His grin was the truest it could get. He had just lived three lives within a matter of three moments. He felt content for the shortest fraction of time. But his happiness was destined to be ephemeral as he asked himself, “Why, why can’t I actually live all this again?” and he was carried away by the moment as he passionately tried to grab the letter with both of his hands. Destiny answered his question rather ruthlessly as only his right hand obeyed the order of his brains as he had lost the left one, a long ago, in the course of time.

- Mihir Chitre
mihirmumbaikar@gmail.com

An Alien Emotion

As I am writing an article for this blogazine for the first time, I’d like to start with the usual preliminaries. I’d like to say that I’m honoured to be a part of this online magazine, which will hopefully be entertaining enough for all those who are going to read it. And now back to business.

Unlike my fellow writers, I’ll not be writing on this time’s theme (which is nostalgia) but on a topic, which is its exact opposite. I think I’ll call it Un-Nostalgia.

(Note: I will be using this word, though it might seem crude, as I am completely ignorant as to what the antonym of Nostalgia really is.)

Actually, I find nostalgia strange. It is an alien emotion for me. Rarely am I nostalgic, nor do I find much to be nostalgic about. I am 17 years old, and my life has been too short to be really reminiscing about things, which might have happened only a few years ago.

This, combined with a pathetic memory, has added to my friends’ chagrin. A lot of times, this has resulted in certain emotional moments leading to naught. When asked to relive precious occasions, I am at a loss for words (in this case, thoughts) and this almost always leads to a glare from the person whose request I could not heed.

There are really few things, which I get nostalgic about, football leading the list. I can remember who scored the winning goal in a Chelsea FC match, but I will never be able to remember all the happy moments of a friend’s birthday.

I have often thought of my brain as a kind of RAM (Random Access Memory), things just get erased as soon as my mind is switched off (read sleep and not dead). My brain seems useless for remembering or cherishing past events.

An excerpt from my life,

Neenad: Hey, do you remember the same thing happened with us, too.

Shridhar: Yeah? Did it?

Neenad: Yes it did happen to us. Remember that day when ……. (Goes off on a tangent) (At the end of the narration)

Shridhar: (With a blank face) No, I don’t remember.

Neenad: (With a glare) It did happen.

Shridhar: Oh, maybe. (Accepting defeat)

Neenad: You are hopeless.

Oh well, hopelessness is something I can relate to. So, I bet you can imagine the bewilderment on everyone’s face when this happens and that is also the reason I cannot relate to Bollywood movies at all, however realistic they might be. Most of them are based on some kind of nostalgia or the other, where the hero is usually choked with emotions at the end and almost all of them cry their hearts out. And certainly, my heart does not yearn for past events.

So, I guess reminiscing and a longing for the past to be relived is not my cup of tea and neither is it a piece of cake for me (It rhymes – that’s as poetic as I can get). I guess it’s time for tea and that’s why my subconscious stomach is mentioning cakes and tea. Here, I sign off to service myself.

- Shridhar Rao
shridhar.spitfire@gmail.com

Jab We Met (Makes You Smile)

Watching films is a conscious decision and quite honestly, I went to watch this film as a form of escapism, not to rack my brains over its plot nor critique it frame by frame. This film gives you exactly that – an escape from your creased life in the form of Kareena’s character. At the same time, it’s important to add that this film wins only because of its characterization. The plot is quite contrived and yet it makes for engaging cinema largely because of its simple charm and intrinsic humor. A chatterbox, complete-nonsense, forever-optimistic character of Kareena’s is contrasted by a serious, mature and listless character of Shahid. From the promos, it seemed like another Khushi or 36 China Town to me. Thankfully it isn’t! The chemistry between Shahid and Kareena works big time and the repartee is the best seen in Hindi cinema.

The film begins with a heartbroken Aditya (Shahid Kapur) boarding an outstation train, unaware of the direction of his life. In comes Geet (Kareena Kapoor) on the same coach of the train, a self-proclaimed agony aunt pushing him to talk about himself. She tells him that she plans to elope with her boyfriend while he is wallowing in his own grief of losing his girlfriend to somebody else. Geet irritates Aditya to the point of getting him to leave the train. As she tries to get him back on the train, she ends up missing it and the two find themselves stranded on a desolate station with no luggage or money (All is fair in Bollywood baby!) Predictably, this train journey is then spilled over on the road, to a hotel and few other twists till Shahid becomes more tolerant of her, positive about life and they reach Bhatinda, her hometown.

Their journey from Mumbai to Bhatinda is a rollercoaster for the audience! (Picture this - Kareena: Mein tumhe kaisi lagti hoon? Ekdum mast, jhakkas? (He nods reluctantly) Phir tumhe meri behen bhi pasand aayegi. Tum uske saath bhaag ke shaadi kar lena!!)

For the couple, it’s about self-discovery, surprise and living on the edge. This beginning, which keeps you in splits, goes downhill post-interval as Geet and Aditya run away from home to unite Geet with her boyfriend Anshuman. While Aditya goes back to his poor-little-rich life and pursues his music (which is encouraged by Geet) alongside dreaming of jiving with Geet in conference rooms. Yes it’s happening, he’s in love but his is a silent love until circumstances change it. This divide between first half where each and every shot is measured and second half, wherein time zooms ahead is too abrupt! The time lag in the second half is hardly comprehensible.

Shot formations during song picturizations are quite unique especially Nagada and Yeh Ishq hai. The local flavour of Punjab and Manali respectively are brought out beautifully.

Imtiaz Ali, in his second film itself promises his audience of originality and freshness in the genre of romantic comedy unlike the glossy, rose-tinted and lavish romances that the Indian audiences are fed upon.

Clearly Shahid and Kareena hold the film together. Geet is impulsive yet endearing. She seems immature yet she has the gumption to stand by her decisions. Kareena stops’ playing herself in the film and that credit goes to the director. While she yaps, or when she suffers silently on being let down by her love, she’s top notch!

Shahid is pure eye-candy; one can’t stop ogling at this dapper Aditya. He’s rich, intelligent and one-woman guy. Shahid has rightly underplayed this role and somehow this clicks better for him than his pervious clowny histrionics in Ishq – Vishq etc

The amazing thing is, when he dances to Nagada half way into the film, it strikes you “Geez, dancing is not his ONLY strength!” Tarun Arora (Anshuman) needs to co-ordinate his voice and hand gestures. I hope his character was intended to be funny.

Also, a big grouse - the kiss between Kareena and Shahid was a big anti-climax. Why you ask? The famous MMS two years ago gave us a much wilder version of it!

Go, watch and celebrate a good love story.


- Janvi Gandhi
janvi.87@gmail.com

Memory

I see it.
My heart does a flip-flop.
She looks bewildered,
It’s just a photo yaar.
What is so special about it?

I smile, gently urging her
Look closely,
She sees the light in my eyes
But stares blankly at the photo

Ah! Then I get it,
The memory is mine,
Sweet, gentle, exquisite.

Some things are indeed,
Trapped in the eyes
Clinched forever!

- Janvi Gandhi
janvi.87@gmail.com

Away From Home

Here I sit in Bangalore, I’m far away from home…
Waiting to go to Mumbai, can’t spend nor roam.
I am sitting by myself I can tell you as I have grown
If you’re bored with your family, try living alone

Your mp3 player and computer are your only friends
The silence of your cell phone never ends
You think about only balance, roaming, STD
You wait for one message, from the friends who did it for free

Remember your “Mom I wanna go to the hotel to eat”
Saying it now, is an impossible feat
You miss her hands, you miss that flavour
This nostalgia doesn’t cease, just stays forever

New place, new house, new friends, everything’s new
Will get better soon you hope, the food too.
You think the feeling’s new till the 30th day
Then in the next month, you think it’s gone away
But month after month it’s gonna stay
Yes, it’s gonna stay, whatever you say.


- Samir Deep Bellare

sambell111@gmail.com

The Playground

The sun was luminous; hot was the afternoon.
I walked and I walked more.
Thought I had a companion, thought I had a friend along.
But my exhausted mind was going rather wrong.

It was my usual road.
But today, I could sense some difference.
Today, my psyche seemed restive.
For shadow and contentment, on a bench I sat down.
Took rest for a moment and then I started looking around.
On the right there was a skyscraper – conventionally attractive.
I did not show much appreciation and turned my head towards the left.
Much to my amusement there was that archaic playground.

The early morning play in the winter;
with sweaters of fun and jackets of joy.
Wonderful evenings and astonishing nights,
The moon lit beauty of a fantastic site.
A paroxysm of nostalgia took place, all this came running back,
as time began to follow the reverse track.

My eyes sensed colours – of the mesmerizing past.
My nose smelled a spirit – the fragrant teen spirit.
My ears heard a voice – of my naïve, little self.
And I lived the same moments for the second time – A summary of my precious memory!

- Mihir Chitre
mihirmumbaikar@gmail.com